Policy

“Culture 21: Actions” was approved in 2015 in Bilbao during the first Culture Summit of UCLG. This document renews the commitments of United Cities and Local Governments to highlight the interdependent relationship between citizenship, culture, and sustainable development. “Culture 21: Actions” supplements the Agenda 21 for Culture, and transforms it into concrete commitments and actions. It aims to be an international guide that is applicable worldwide and that promotes knowledge. It facilitates the exchange of good practices, and strengthens a global network of effective and innovative cities and local governments. Among its nine Commitments, Culture and Environment incorporates a list of specific actions that guide the work of local governments linked to Agenda 21 for Culture and which promote processes of self-evaluation leading to better fulfilment and more effective implementation of public policies and strategies.

This position paper, jointly developed by Culture Action Europe and its members, proposes concrete recommendations on how the future generation of EU funded, and especially the Creative Europe programme contributes to tackle the climate challenge.

The paper correlates the contribution of cultural heritage to all key areas of the European Green Deal, including Clean Energy, Circular Economy, the Renovation Wave, Smart Mobility, Farm to Fork, Green Finance and a Just Transition, Research and Innovation, Education and Training, as well as Green Deal Diplomacy. It proposes a series of concrete recommendations both for policy-makers and for cultural heritage stakeholders. Potential conflicts, real or perceived, between heritage safeguarding and European Green Deal action are also identified, as well as win-win strategies for overcoming these conflicts.

Launched in 2019, the Funder Commitment on Climate Change (FCCC) presents a comprehensive and overarching framework that empowers funders across diverse fields of expertise, primarily within the UK, to actively contribute to addressing the root causes and consequences of climate change. Comprising six pillars of action (Education and Learning, Resource Allocation, Integration, Investment Stewardship for a Post-Carbon Future, Operational Decarbonisation, and Progress Reporting), this commitment provides foundations with a robust structure to effectively combat climate change. Signatories commit to aligning their strategies with climate considerations and making specific pledges in order to support initiatives and address climate-related challenges financially.
In 2023, the FCCC unveiled its third report, detailing the endeavours undertaken by signatories across these pivotal pillars. This report underscores the ongoing enhancement of existing initiatives. It outlines the strides made, particularly by new signatories, as they embark on their journey to make tangible progress in all areas.

The Green Art Lab Alliance (gala) is a diverse alliance initiated by artists and cultural practitioners seeking to address the breadth of environmental problems that beset the world. Since 2012, the gala has grown with partners in Europe, Asia, and Latin America. In light of the extreme urgency of our global crisis, the organisations that comprise the alliance have come together to bolster and amplify their manifold efforts to secure a sustainable future, and they are all committed to their co-written manifesto.

The Climate Heritage Network (CHN) is a voluntary, mutual support network of government agencies, NGOs, universities, businesses, and other organisations committed to tackling climate change and achieving the ambitions of the Paris Agreement. The network was launched in 2019 and works to reorient climate policy, planning, and action at all levels to account for dimensions of culture, from arts to heritage. ‘Culture at the Heart of Climate Action’ is a global call to the UNFCCC to include cultural heritage, the arts and creative sectors in climate policy. The initiative is asking for a ground-breaking Joint Work Decision on Culture and Climate Action, a UN process which would trigger policies and frameworks to enable culture to contribute fully to climate solutions. A JWD would launch a process to: understand how culture is already supporting climate actions and solutions; support cultural voices to influence audiences and consumers; unite the entire culture sector globally to scale up action on the most pressing issue of our time; influence key policies and discussions on adapting to the changing climate, decarbonising, supporting cultural knowledge keepers, safeguarding heritage and culture, and innovating with creativity.

The Green Arts Charter aims to help cultural organisations with their sustainability goals, to enable collective action, and establish shared goals and pledges.
The charter aligns with the Creative Carbon Scotland training programme to support organisations to deliver the pledges and commitments within the charter, alongside its growing online network to encourage peer-to-peer learning.
The charter runs parallel with and is connected to Creative Scotland’s criteria for funding programmes where organisations are asked about their environmental sustainability commitments or, in some cases, to report on their emissions and have a carbon management plan.

The Council for Culture is a statutory body entrusted with advising the Dutch Government and Parliament on matters related to the arts, culture, and media. It provides recommendations regarding cultural policy in the Netherlands, whether solicited or not. In 2023, the Council published a report titled “Cultuur Natuurlijk. Hoe duurzaamheid en cultuur elkaar versterken”, highlighting the potential synergy between sustainability and culture. However, it underscores the urgent need for a significant push to expedite sustainability efforts within the cultural sector. This advisory report targets the cultural sector, municipalities, provinces, national cultural funds, and the relevant ministries. The Council for Culture’s recommendations aim to expedite the sustainability transformation within the cultural sector and elevate culture’s role in broader societal sustainability initiatives. It acknowledges that, like many other sectors, the culture sector has yet to achieve climate neutrality and circularity.
The scope of culture in this report encompasses the arts, heritage, creative industry, and the media, both subsidised and unsubsidised. Advice is directed at the cultural sector and various governmental bodies, including pertinent ministries and national cultural funds, emphasising the nexus between sustainability and culture.

Conscious that the most significant challenge of our time is the fight against climate change, but that it is still insufficiently considered, the French Coalition of Foundations for Climate (CFFC) is committed to mobilising the entire philanthropic sector around this priority issue. More than just a manifesto, it is a call to action, collective mobilisation, and engagement.

In seven chapters, experts from the Czech Republic, Finland, Flanders, Germany, the Netherlands, Scotland and Spain investigate how cultural organisations in their own countries are becoming more sustainable, how artists are engaging with the climate crisis, and the role of culture in the general transition towards a greener society. While each chapter contains many inspiring initiatives and ideas unique to each country, there are also striking similarities. In most countries, sustainability is absent from national cultural policy, and culture is absent from climate policy. There is however a need for sustainable cultural policy: among other things to counter fragmentation of initiatives, to enhance collaboration or to offer funding, support and financial security. Another significant observation underlying all contributions is the importance of collaboration and of networks, which have achieved great results in the countries included in the publication. Authors are: Pavla Petrová (Czech Republic / Arts and Theatre Institute), Maria Hirvi-Ijäs, Anna Kanerva, Marjo Mäenpää (Finland / Cupore), Nikol Wellens (Flanders / Kunstenpunt), Marje Brütt (Germany / Kulturpolitische Gesellschaft), Sofie Krop, Mareile Zuber (The Netherlands / Het Groene Cultuur Bureau), Ben Twist, Katherine Denney (Scotland / Creative Carbon Scotland), Jordi Baltà Portolés and Herman Bashiron Mendolicchio (Spain / Trànsit Projectes and University of Barcelona).