Arts and Culture Norway considers each application’s emphasis on reduced climate and environmental impact, sustainability and energy efficiency (appropriate, site-appropriate and sustainable solutions in terms of architecture, material use, technology, resource and capacity utilisation), etc.
Environmental sustainability is one of six main funding criteria for assessing the applications to the National Lottery Open Fund for Organisations.
The 2023 activity of the CRT Foundation has opened with the Ordinary Call (Bando Ordinarie). The activities and projects presented must pursue some fundamental Objectives (SDGs) and Sustainable Development Targets of the United Nations 2030 Agenda. All activities and projects must be designed in a sustainable way, must be inclusive for all, accessible for all, and value youth work and gender equality. During the evaluation phase, as indicated in the announcement, the CRT Foundation “will pay particular attention and will assign priorities in the selection” to the interventions most in line. All calls for tenders and projects that will be published in 2023 will require the participating entities to clarify focuses and activities consistent with the Sustainable Development Goals (SDGs).
The foundation issues multiple calls each year, categorised under three primary themes: Person, Culture, and Planet, aligning with various Sustainable Development Goals (SDGs). In addition to the Culture area, cultural organisations and institutions can participate in calls within the Planet area and therefore propose projects to enhance community awareness, build capacity, and address climate change and sustainable environmental initiatives at the local level.
Within Kone Foundation’s major funding focuses, environmental responsibility is one of the six general priorities. As stated on the website, responsibility for the environment is also taken into account in projects not related to the environment when awarding grants, especially in the context of travelling. The foundation encourages beneficiaries to avoid flying if possible and to favour low-emission travelling.
The Art for Change programme is an initiative in which art and culture are used to improve society. Based on an annual call, the grant promotes projects with creative processes lead by artists, in which different parts of the community participate, especially collectives in vulnerable situations. Through these initiatives, the foundation wants to help participants to connect with art and culture, and offer equal opportunities and conditions, and thereby contribute to the empowerment of people and groups through an artistic process.
The theme of the programme is not exclusively focused on the environment. However, environment is one of the criteria for funding selection – projects must include an environmental perspective and also indicate which measures will be taken to minimise the negative environmental impact of its implementation.
L’Œuvre Nationale encourages the discovery and promotion of talented artists and creatives. by awarding a cultural prize through non-profit organisations which can also provide beneficiaries with creative spaces, resources and professional support to share their work with the public (for example: communication, promotion, development of knowledge or projects). In addition to formal qualities, L’Œuvre Nationale welcomes any initiative that includes, beyond the artistic component, social or environmental fields, sport and health, memory and heritage, and / or that takes into account the stART-up fund criteria (being under the age of 36).
Nordic Culture Point uses different criteria to assess grant applications within the Culture and Art Programme, one of which is sustainability. Sustainability is assessed from a social, economic, and ecological perspective. Nordic Culture Point evaluates whether a project promotes inclusion and a diverse representation of the Nordic art and culture scene, whether the project is ecologically sustainable, and whether it contributes to the competitiveness of Nordic cultural and artistic fields. This approach reflects Nordic Culture Point’s commitment to sustainable cultural initiatives.
Anyone seeking support is encouraged to take sustainability into account and consider sustainable solutions within their projects. In 2022, 90 percent of organisations receiving support from the foundation declared that sustainability was taken into consideration when planning their project. The concept of sustainability includes every dimension of the UN’s sustainability goals (social, environmental and economic). In their final report, organisations must outline the results of the sustainability measures they carried out.
When assessing applications, project sustainability is often a key consideration. Some calls explicitly include sustainability criteria for evaluation, while others encourage applicants to integrate green sustainability principles into their proposals. These explicit criteria may include various factors, such as ensuring collaboration without exclusive agreements, incorporating multiple activities within residencies, fostering regional tour engagements, long-term planning and network building, using online methods for initial meetings and research, prioritising environmentally sustainable transportation, and optimising scenography freight through transportation mode and material choices.
The mission of the Visegrad Fund is to advance ideas for sustainable regional cooperation in the Visegrad Four and wider Central Europe. Environmental sustainability is an integral component of this mission, as is evident in the long-term support for projects to improve environmental protection. This support includes raising awareness, fostering collaborative solutions among municipalities and local stakeholders, and facilitating joint research and study programmes. Over the past 21 years, the Visegrad Fund has contributed over 3.2 million euros to support more than 200 projects, each significantly impacting the environment. Today, the Visegrad Fund is taking further steps, initiating the concept of “Green Visegrad.” This initiative begins internally, with the entire team embracing measures to reduce waste, transition to digital solutions, and prioritise environmentally friendly modes of transportation in their daily lives. The success of Green Visegrad relies on collective sensitivity to the surrounding environment. The Visegrad Fund invites partners, applicants, and grantees to join in achieving a more substantial positive impact. The Fund stands ready to learn from its stakeholders, offering motivation and support to organise project activities responsible for the benefit of the planet, with a focus on green recommendations. While each project is unique, and the topic of environmental sustainability is complex, the key to success lies in the provided manual and in each stakeholder’s understanding and commitment to environmental messages and warnings.
The EcoArts Nexus is an online repository that compiles extensive knowledge at the intersection of the arts and the environment from various fields and practices. It includes resources such as examples of funding schemes for cultural adaptation and artistic practices addressing environmental issues, tools and guidelines, literature, awards, as well as initiatives, projects and organisations dedicated to connecting art and culture with the environment. Divided into 15 categories, the repository currently features over 250 entries. It serves as a living map, detailing the landscape of philanthropic institutions, public funding sources, the art world, and the cultural sector – all united in their commitment to addressing the urgent environmental challenges of our time. By being a continuous work in progress, we invite you to share and present your practices if they are still not included in this online archive.
The Kultura Nova Foundation initiated this repository of knowledge in arts and culture, environment and funding, within the framework of the Philea Arts and Culture Funders Forum (ACFF) and in collaboration with the Fondation Daniel et Nina Carasso.
At its core, the EcoArts Nexus is instrumental in gathering and disseminating information crucial for understanding and navigating the complex relationships between environmental policies, funding strategies, capacity-building programmes, and the development of green tools and guidebooks tailored specifically for the arts and culture sectors. It is a vast pool of reports, resources and data essential for different actors looking to foster a deeper engagement with environmental sustainability within their arts and cultural practices.
Beyond its function as a comprehensive data repository, the EcoArts Nexus aspires to play a transformative role in the cultural and environmental sectors. Its primary goal is to significantly enhance the visibility of current practices that merge ecological concern with cultural expression, thereby inspiring and motivating a broader spectrum of actors to embrace and drive positive change towards carbon-neutral cultural sector. Through showcasing innovative practices and facilitating access to a wealth of resources, this repository aims to foster efforts that not only address environmental urgencies, but also highlight the unique role of the arts and culture in advancing sustainable futures.
Offering open access to all its resources, the EcoArts Nexus is designed to be an adaptable and continuously growing document. It invites ongoing contributions and updates, welcoming new data, insights, and resources. By doing so, it serves the immediate needs of its users and contributes to a broader understanding of how the arts and culture can intersect with environmental sustainability to foster a more ecologically conscious and culturally vibrant world.
Being developed and curated under the supportive umbrella of the Philea Arts and Culture Funders Forum, the EcoArts Nexus represents an important example of the power of collective effort. The initiative benefits from the collective expertise of its main contributors, the Kultura Nova Foundation and the Fondation Daniel et Nina Carasso, with valuable additional contributions from Porticus and other philanthropy organisations in sharing data. The production of the Repository was supported by the Fondation Daniel et Nina Carasso and Philea Arts and Culture Funders Forum, while the roles of editing, coordination, future web maintenance, and updates were taken on by Kultura Nova. This collaborative model ensures that EcoArts Nexus remains a dynamic and evolving platform, responsive to the needs and insights of its diverse user base.
Philea Arts and Culture Funders Forum
The voice of European philanthropy, Philea nurtures a diverse and inclusive ecosystem of foundations, philanthropic organisations and networks working for the common good. Philea’s Arts and Culture Funders Forum aims to help shape the future of cultural philanthropy. It provides a forward-thinking environment for arts and culture funders in Europe to come together and work to reinforce the sector. It also offers engaging opportunities for site visits, in-person events and webinars.
The Fondation Daniel et Nina Carasso works to bring about a society that is respectful of the environment, one that is inclusive and in which people can flourish. It focuses on two major areas, Sustainable Food Systems – ensuring universal access to healthy food produced in a manner that respects people and ecosystems; and Art in the Community that aims to foster critical thinking and reinforce social cohesion. It is a private family foundation that was created in 2010 under the aegis of the Fondation de France. It is independent of any corporation.
Kultura Nova Foundation provides professional and financial support to civil society organizations in contemporary arts and culture in Croatia. In order to create sustainable landscape for the sector, Kultura Nova creates various support programs as well as its own educational programs in the field of cultural management. It also participates in the formation of innovative cultural policies and develops research programs to better understand and create long-term strategies for the sector.
